Instructor, lecturer, academic
Szenischer Unterricht / Liedklasse

OPERNKLASSE

Musik Studio 8 und Online (seit 03/2020)

LIEDKLASSE

Musik Studio 8 und Online (seit 01/2021)

 

DEUTSCHE LIEDER KLASSE 〈Myrten von Schumann〉

Schwerpunkt Phonetik, Musikgeschichte,

und Masterklasse für Sänger*Innen

Drei tägiger Online-Kurs (01/2022)

 

KÖRPERWARNEHMUNGSSCHULUNGKLASSE

Schwerpunkt: Körperflexibität und

sport-neurologischen Erkenntnissen

Zwei tägiger Online-Kurs (08/2021)

​​​

OPERNKLASSE

Young Artist Program an der Opera Pomme Rouge, New York

(seit 09/2015, Online-Kurs seit 2020).

 

SZENISCHER UNTERRICHT

Opernwerkstatt bei Musik Forum Freyung e.v. (08/2020)

 

SZENISCHER UNTERRICHT

Vertretung der Professorin

Kyriaki Wagner Margarita

Prayner Konservatorium, Wien

(04/2019)

 

SZENISCHER UNTERRICHT

Vertretung des Professors Didier Von Orlowsky

Opernklasse

Die Universität für Musik und darstellende Kunst Wien

(03/2006-06/2009)

 

 

SZENISCHER UNTERRICHT

und Vorbereitung die Vorstellungen

Gesangklasse

Internationale Masterklasse für junge Musiker*Innen am

Jãzepas Vïtols Latvian Musik Academy (Lettland) (07/2012)

 

Lecture

VORTRAG

Weltweiter Strukturvergleich von Opernhäusern/

Realisierung einer Opernvorstellung/

Faszination des Publikums durch Ausstrahlung und Bühnenpräsenz

Einwöchiger Online-Kurs (05/2021)

Kulturmanagement-klasse

Opernhäuser in der Welt und in Deutschland/

Die Struktur eines Opernhauses/

Die Arbeit eines*einer Opernregisseur*In

Festival junger Künstler Bayreuth (08/2019)

Piano and Flute Teaching

Musikschule Pomme Music (New York) (12/2014 – 03/2019)

Musikschule New York Music and Arts (06/2014 – 11/2014)   

KAWAI Musikschule (Tokio, Japan) (04/2001 – 03/2002)

VORTRAG und MASTERKLASSE

Weltweiter Strukturvergleich von Opernhäusern/

Realisierung einer Opernvorstellung/

Faszination des Publikums durch Ausstrahlung und Bühnenpräsenz

Einwöchiger Online-Kurs (05/2021)

Chorus Conductor

 

Takanodai Damenchor (04/2001-03/2002)

2010 - present

2010 - present

Stage Director Asistant Intern

 

Washington National Opera

Candide (05/2018)

 

The Metropolitan Opera (New York)

Simon Boccanegra, Iphigenie en Tauride, Queen of Spades

 (01/2011-03/2011)

 

Le Théâtre du Soleil (Paris)

Les Naufragés du Fol Espoir (07/2009 - 12/2010)

 

Die Komische Oper Berlin

L’ Enfant et les Sortilèges   (09/2007 – 10/2007)

 

Wiener Staatsoper

Werther / Otello  (01/2005 & 10/2006)

 

Dortmunder Operntheater

Zwei Krawatten / Der Wildschütz (09/2004 – 12/2004)

 

UNTERTITEL INSPIZIENT

Bregenzer Festspiele

Death in Venice (07/2007 – 08/2007)

Subtitle Q-Man

Bregenzer Festspiele

Death in Venice (07/2007 – 08/2007)

STAGE MANAGER / Lighting Q-Man
Lighting Q-Man            Season 2019 - present                                          Bavarian State Opera              present
Lighting Q-Man             Turandot                                                           Immling Festival (Germany)    2019

Stage Manager              Concert for Japan Earthquake Relief           The Great Hall at CCNY (NY)     2011

 

Stage Manager               Die Fledermaus                                               Schönbrunner Palace Theatre (Vienna)     2007

 

Stage Manager               Viva la Mamma                                                Schönbrunner Palace Theatre (Vienna)    2005

 

Assistant Director          Il Matrimonio Segreto                                     New Studio Theatre (Vienna)      2005

 

Assistant Director          Albert Herring                                                   Musikhochschule Hanns Eisler Berlin 2002

 

 

For the detailed information, please visit the page ​"Training" 

Education
 

​University for Music and Performing Arts Vienna

Opera Stage Directing     Master of Arts    2011

​Academy of Music “Hanns Eisler Berlin”

Opera Stage Directing       2002-2005

​Senzoku Gakuen College of Music, Tokyo  (2001)

Flute / Conducting       Bachelor of Music  2001

Music Education for youth, age 13-18     Certification 2001

Features and Awards
 

TV appearance, DVD & Book 

Hour documentary “First Japanese” on NHK (JP’s main TV network)



TV appearance 

“Back Stage Tour with Seiji Ozawa at the Vienna State Opera” on NHK


Radio appearance 

Interview at the program “World Flowers Network” on JFN /on Latvian Radio's Internet TV
 

Newspaper appearance

Interview at the Latvian main newspaper “Diena” / New York Shukan Seikatsu
 

Magazine appearance

Featured at "A Passion of Opera" on the international Opera magazine printed in London, Opera Now

Featured at "Life of Opera Stage Director" on the japanese Opera Magazin Hanna

Member  

International network of successful Japanese women working abroad “HWW”
 

Conducting Competition 

“Silver” at the Brass Band Orchestra H.S. competition as Conductor, Japan
 

Fellowship  

Rohm Music Foundation, Japan


Scholarship  

ÖH Stipendium (Austria College Foundation)

 

Training

Vienna State Opera / Metropolitan Opera / Komische Oper Berlin / Théâter de Soleil, Paris

Dortmund Opera House / Bregenz Youth Summer Festival / Seiji Ozawa Matsumoto Festival

Founded

Opera Pomme Rouge (NY)

Critical Acclaim
 

- Maestro Seiji Ozawa : NHK TV interview -

Ms.Tsuri is great!  She knows everything about the day-to-day operations of opera.  I'm certain that she'll become a key figure in the Japanese Opera world.  I work on the music side and Anna creates opera on the stage side.  She is an expert not only in directing but also in lighting, scenery, etc.  She does magnificent work at the Vienna State Opera.  I feel positively about her career."



– The Schoenberg family  : 
private message after the performance of “Erwartung” in Vienna -

"My father (the composer, Arnold Schönberg) would have wished for this exact direction.  It was very musical and the scenes are exactly according to the text, despite its very complicated content."



- Magazin “Stadt Leben”, Austria, Deutsch-Wagram, monthly journal :
Reviewing the youth opera production, “Kleine Hänsel und Gretel” -


​“Lovingly stage directed by Anna Etsuko Tsuri.   The singers did not merely perform on stage.  Moreover, they walked among the audience and shared the play face to face…the performance was filled with excitement….”